Just to Finish the Story
A deep dive into the life, lyrics, and lessons of a hip-hop changemaker
Duane “D.O.” Gibson is more than a Canadian hip-hop icon — he’s a motivational force, community leader, and two-time Guinness World Record holder whose impact stretches far beyond the stage. With a career rooted in authenticity and driven by purpose, D.O. returns with his heartfelt new single “Dad I Did It,” just in time for Father’s Day. Featuring legendary rapper Saukrates and produced by JUNO Award-winner Rich Kidd, the track serves as a moving tribute to fatherhood, resilience, and legacy.
In this exclusive interview with TorontoPages, D.O. opens up about the inspiration behind the new single, his forthcoming album Just To Finish the Story, and the meaning behind key upcoming tracks like “Last Summer” and “Day Job.” From his rural Saskatchewan beginnings and Cape Breton roots to his rise as one of Toronto’s most respected voices, D.O. shares candid insights into his evolution as an artist, author, and advocate.
Whether he’s setting world records, writing motivational books, or performing at schools across Canada, D.O.’s mission remains clear: to uplift, empower, and tell stories that matter. Sit down with us as we dive into the mind and music of one of Canada’s most enduring hip-hop voices.
What inspired you to write “Dad I Did It”?
I wrote “Dad I Did It” as a tribute not just to my own father, but to all the fathers out there who show up. I’m a father to two children, and it made me reflect deeply on what legacy means. The phrase came from something I imagined saying to my dad—like, Look, I made it. I did it with integrity. I stayed the course. It’s an anthem for dads, but also for anyone doing something to make their family proud.
How did the collaboration with Saukrates come about?
Sauks is a legend to me, and we’ve crossed paths over the years. I had the chorus idea and knew it needed soul and grit—and there’s no one better than Saukrates for that. I sent him the concept, and he hit me back with that hook fast. It was just one of those effortless collabs. Pure magic.
What was it like working with Rich Kidd on this track?
Rich Kidd is one of the most talented producers in the country—hands down. He brought that soulful, head-nodding bounce I needed for this track. We worked in the studio, chopped it up, and he really helped me tap into the emotion without making it too heavy. He gave it that perfect balance.
How does this song reflect your relationship with your own father?
My dad is a huge influence in my life. He’s one of the smartest and most supportive people I know. He taught me about resilience and how to be a present father. This song is like a musical “thank you” to him, and also a way to say, I’ve taken what you gave me and built something lasting.
What message do you hope listeners take away from “Dad I Did It”?
That being a good father is powerful. That showing up matters. And that success isn’t always flashy—it’s about staying grounded, being consistent, and doing it for the right reasons. I hope it inspires people to appreciate their parents or reflect on the kind of legacy they want to leave.
Why did you choose to release it so close to Father’s Day?
Timing-wise, it just made sense. It’s a Father’s Day anthem! I wanted it to land at a moment when people are thinking about their families and reflecting on those relationships. Plus, I don’t think there are enough songs that celebrate good dads. I wanted to add one to the mix.
“Last Summer” sounds like it captures some nostalgic moments — can you tell us more about the story behind that song?
“Last Summer” is about holding on to those moments that slip away too fast—fires in the backyard, time with friends and family, road trips, simple joys. I wrote it coming out of a heavy time, wanting to appreciate those fleeting summers where everything feels golden. It’s reflective, but warm.
What was it like collaborating with Angela Saini?
Angela has such a pure, heartfelt voice—it brought the song to life. I’ve known her for years and always respected her songwriting. When I was crafting “Last Summer,” I immediately thought of her. She captured the vibe perfectly and brought real emotional depth to the chorus.
“Day Job” sounds like an anthem for the grind. What inspired the lyrics and message?
That one came from a real place—just hustling to make dreams work while still handling responsibilities. I’ve always juggled being an entrepreneur, an artist, and a dad. “Day Job” is for everyone clocking in and still chasing something bigger after hours. It’s about the dual grind.
How did Robbie G get involved in “Day Job”?
Robbie and I have a lot of mutual respect—we’ve toured together and rocked stages coast to coast. He’s one of the hardest-working artists in Canada, so it made total sense to have him on “Day Job.” He’s lived that hustle, and he bodied the verse.
What can you share about the upcoming album’s concept?
The album is called Just To Finish the Story—it’s reflective, personal, and honest. It ties together different chapters of my life and career. Some songs are uplifting, others are about struggle, but it’s all part of the same story. It’s about completing something with intention.
How will this album differ from your previous work?
This one is the most personal yet. I’ve always told stories, but this time I’m zooming in on key moments—fatherhood, loss, growth, self-awareness. Musically, it blends soulful production with some raw hip-hop energy. It’s grown-man rap, but it still has that hunger.
Why did you choose the title Just To Finish the Story?
I’ve been in this game a long time. And sometimes people think they know your story, but they’ve only heard part of it. This project is about tying it all together—giving that full arc. It’s like saying, Don’t judge the chapter if you haven’t read the whole book.
Are there any other guest artists or producers we should be excited about?
Definitely. I’ve got production from Beatchild, Jackel, and Sproxx—each brought their own flavor. December Rose shows up on a track too. It’s a mix of longtime collaborators and some fresh energy.
You’ve set not one, but two Guinness World Records — what were those moments like for you?
Surreal. The first one—freestyling for over eight hours—was a physical and mental marathon. The second time felt more like redemption because I wanted to do it cleaner, better, more intentionally. Both taught me that we’re capable of way more than we think.
How do you keep challenging yourself artistically after so many milestones?
I stay curious. I mentor younger artists, write books, and speak to kids across the country. All of that keeps me inspired. I’m always thinking: What haven’t I done yet? And more importantly—how do I do it with purpose?
Looking back, what moment in your career feels like a turning point?
Performing in South Africa was huge for me. It wasn’t just about music—it was connecting globally and feeling hip-hop’s impact beyond Canada. Also, when I started my Stay Driven school tour, it shifted everything. It showed me my message had power beyond stages and radio.
Tell us more about your Stay Driven program — what impact has it had over the years?
Stay Driven is about resilience, goal-setting, and staying true to yourself. I’ve done over 2,000 school shows, and I’ve had students come back years later saying my talk changed their path. That’s the real reward—it’s about planting seeds and watching them grow.
How do your roots—from Saskatchewan to Nova Scotia to Ontario—influence your identity as an artist?
Canada raised me in layers. From my family’s farming roots in Star City, SK, to the pride and culture of Nova Scotia—especially Whitney Pier and North Preston—and growing up in Sarnia and Stratford, it’s given me a 360-view of this country. It’s made me versatile, grounded, and proud.
You’ve written motivational books and even a children’s book — what prompted you to start writing?
Writing has always been part of my DNA—first rhymes, then journals, then speeches. The books came naturally from my work in schools. I wanted to give people more than a 45-minute talk. I wanted to give them something lasting. Writing books was a way to extend the impact.
Your message for us at TorontoPages magazine:
Toronto has been the heartbeat of my career. Whether you’ve seen me perform, heard me speak, or read my work—thank you. We’ve built something special here. Keep dreaming, keep grinding, and Stay Driven. The story’s not done yet.
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Website: https://iamdogibson.com
